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The design concept is based on three principles. An initial focus was the personality of the owner. "Tell me the music that you listen to, and I'll tell you who you are." This statement was a starting-point and roadmap for the look & feel of the concept for Das Neue Kubitscheck and its subsequent implementation.
Taking the “killer shoe” to the next level, Gallery Barrett Barrera with Fantich & Young will be simulating a luxury lifestyle boutique with APEX PREDATOR | DARWINIAN VOODOO in Wynwood during Miami Art Basel (December 7 to 10, 2017).
Zebra is an electric boat with a classic style designed by Parisian industrial designer, Dimitri Bez. Inspired by the timeless 1947 Sea Maid Wooden Ski Boat, the Zebra is outfitted with a unique pattern of diagonally placed wood and chrome slats. The boat also features a high performance electric motor and a curved OLED touchscreen tablet for the dashboard.
Working and living in Madrid, Spain, photographer Emilio Jiménez shows through his works the subtle beauty of the female body.
For the 90th anniversary of Cassina, Rizzoli publishes a book that illustrates the experience of a brand that has made international design history, while investigating the habitat of the future. With a preface by Barbara Lehmann that contextualizes the publication in the history of Cassina and the company’s ongoing research on interiors.
Lisbon’s new Museum of Art, Architecture and Technology (MAAT) seems like ideal location to consider the current mood of urban civilisation. The smooth, naturalistic yet futuristic building designed by Amanda Levete rises up out of the bank of the river Tagus, in a city which, even after the crippling nationwide financial crisis of 2010, received Wallpaper’s Best City award for 2017.
Born in Annecy, a city in the French Alps, illustrator and designer Frédéric Forest has already worked for Cartier, as well as the Adidas Advanced Design Studio in Italy, where he designed for the brand’s high-end sports shoes range.
Ceci N’est Pas’, meaning ’This Is Not’ in French, is the third and final chapter of Miguel Vallinas’ surrealist pictures series that stage human bodies, always well-dressed coupled with unexpected head. In ‘La Trahison des Images’
Veerle is certainly no stranger to reinvention or imagination, her life has spanned the creative fields: “I’m already 60 years old so I have a bit of a past!” Veerle began her career trajectory as the only woman studying architecture in Ghent during the ’70s, a fact she mentions only in passing—more interested in discussing the practical side of her working life.
In an ode to Easter we share what is essentially the Easter Bunny meets Alfred Hitchcock. Others have referred to the series ‘Hare’, by Belgian photographer Jan Pypers, as David Lynch-esq. Such a reference wouldn’t be totally out of place. Creepy, dark, and superimposed with what is essentially an innocent and endearing character...